Indice
Rosy Colombo and Daniela Guardamagna, Introduction
DIRECTIONS AND METHODS
- Roberto Antonelli, The Author, the Text, the Recider
- Paolo Canettieri, Unified Theory ofthe Text (UTT) and the Question of Authorship Attribution...
- Iolanda Plescia, Shakespeare, Linguistics and a New Philology
- Nadia Fusini, Shakespeare: Playwright or 'Sprachschòpfer'?
- Giorgio Melchiori, The Primacy of Philology
- Paola Pugliatti, The Burden of Proof: From New Biographism to New Disintegration
- MacDonald P. Jackson, Reviewing Authorship Studies of Shakespeare and His Contemporaries, and the Case of Arden of Faversham
- Andrew Gurr, The Choice hetween Plays and Poems
- Roger Holdsworth, Stage Directions and Authorship: Shakespeare, Middleton, Heywood
SHAKESPEARE'S LABORATORY
- Silvia Bigliazzi, Romeo and Juliet: una croce testuale fra Q2 e Q1
- Maria Valentini, King Lear: The Divìsion of the Critics
- Alessandro Serpieri, The Two Noble Kinsmen: Lettura critica di una tragicommedia a quattro mani
HAMLET' S INTERIM
- Giorgio Melchiori, Hamlet: The Acting Version and the Wiser Sort
- Carlo Pageiti, Chi ha scritto The Murder of Gonzago? Un autore alla ricerca del suo personaggio
- Rosy Colombo, Hamlet: Authorship Enacted
APOCRYPHA
- Donatella Montini, Grammatica, stile e politica: l'uso del pronome’ ye' in Thomas of Woodstock
- Giuliano Pascucci, Double Falsehood/Cardenio: A Case of Authorship Attribution with Computer-Based Tool
- Lucia Nigri, "Speaking the Truth": On the Power of Words in Arden of Faversham
- Daniela Guardamacna, Partita a scacchi: apocrifi shakespeariani e opere di Middleton
- Mariangela Tempera, Pasticci shakespeariani: gli apocrifi nella narrativa del XXI secolo
Works Cited
Selected publications and performances 2009-2010
Shakespearian studies, by Alessandro Serpieri